The gang discuss director Robert Egger's 2015 critical darling The Witch, in all its ambitious, admirable, frustrating, kind of disappointing madness. (Excuse us, we mean "The VVitch: a New England Folktale," if you are pretentious and ignore that it was actually filmed in Canada). We also discuss the exceedingly silly critical commentary that now seems to accompany every critics' darling these days, where every critically-worthy horror movie has to be interpreted to speak to some worthy social cause.